Massimiliano Camellini (born in Venice, 1964).
Since 2001 he has developed series of works dedicated to ‘insticts and dreams of mankind’, as told by history, literature and myth, researching them in the contemporary era; this cycle includes the works Oltre le Gabbie (2001), I Volanti (2004), Duel (2006), Nuove Arene (2009), Il laboratorio dell’ossessione (2010), Ore 18, l'orario è finito (2012), and the last one, Al di là dell'acqua (2016).
He exhibited his works at Museum Historii Fotografii w Krakowie (Poland), Musée de la Photographie (Charleroi, Belgium), Mandeep, photography and beyond (Rome, Itay), Fotonoviembre 2007 (Santa Cruz de Tenerife, Spain), MIA - Milan Image Art Fair 2013, 2014 & 2016 (Milano), Europhotofestival AFI (Busto Arsizio, Italy), Museum of Photography (Seoul, Korea), Musée d'Art Moderne et Contemporain (Saint Etienne, France).
His artworks are belonging to permanent collections of museums dedicated to photography and contemporary art, among them, Museum of Fine Arts (Houston, USA), Collezione Maramotti (Reggio Emilia, Italy), Museo della Storia della Fotografia Fratelli Alinari (Florence, Italy), Museo Fotografia Contemporanea, (Cinisello Balsamo, Milano, Itay), Galerie Municipale du Chateau d’Eau, (Toulouse, France), Musée Français de la Photographie, (Biévres, France), Rheinisches Landesmuseum (Bonn, Germany).
He cooperates with the magazine ‘Rifrazioni, dal cinema all'oltre’, Boulogne, Italy.
From 2013 he is Director of the Italian Chapter of the Royal Photographic Society (CIRPS).
He is represented by the galleries Artistocratic (Boulogne) e Amy-d Arte Spazio (Milan).
He lives and works between Reggio Emilia and Milan.
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